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dreambeat listings essential mix
film, music and book selections from the hundreds in the dreambeat listings

db essential FILM l db essential MUSIC l db essential BOOKS

Read: no nonsense, easy to understand advice about DVDs and Regions. Also: about home cinema surround.

What are the Dreambeat Listings? l The complete Dreambeat Listings

complete DVD film list a-z
with direct purchase links to Amazon USA & UK where available

Title Director / Actors / Writer / Producer Description
Buy at Amazon USA or UK
Suggested By
Aguirre, Wrath of God (1973)

d. Werner Hertzog
a. Klaus Kinski, Cecilia Rivera, Helena Rojo

The search for Eldorado. A vivid and haunting masterwork where silent, grotesque action is a glancing understatement through Hertzog's freehand camera style. A perfectionist of historical ambience and location... or has Hertzog discovered the secret of time travel?

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Alfie (1966)

d. Lewis Gilbert

a. Michael Caine, Shelley Winters, Millicent Martin

Effectively cast, Caine's most impressionable character of Alfie still poses a plethora of questions about infidelity and morality... Why do we find ourselves warming to the mischievous cockney? Even in this new century, some moronic, primal male mentalities still find inspiration from this shallow, '60's shag-hound! And why do gullible females still submit to, and even forgive Alfie's crude behaviour? Apart from perhaps these gender rolls being occasionally reversed... or even shared, has much really changed in 40 years?

So, what is it all about Alfie?..

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Alice (Neco z Alenky) (1988)

d. Jan Svankmajer
a. Kristyna Kohoutová

The closest a film maker could get to visualizing the impossible. Looking-Glass and its offspring sites are specifically oriented towards animal and environmental protection. Therefore inclusion of this disturbing celluloid phenomena creates a dilemma... since, on many occasions Svankmajer uses distressed body parts of animals. Saying that, this ingenious interpretation of "wonderland" is at opposite ends of the spectrum to the Disney offering. Watch this and perhaps relate one step closer to the dimension of Dreambeat...(less the animated dead animals)

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Alice in The Cities (1974) d. Wim Wenders

Circumstances draw together journalist Philip Winter, a German woman and her daughter Alice. Winter finds himself solely responsible for Alice, which in turn triggers a quest across Europe to find her grandmother. As usual in Wenders early films, deeper focus on character and emotional analysis at street level made such understated story lines particularly absorbing.

Other Wenders films listed: The American Friend, Wings of Desire

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Alice in Wonderland (1966)

d. Jonathan Miller
a. John Gielgud, Peter Cook

Like Svankmajer's interpretation Jonathan Millier's Alice almost defies description. This 1966 BBC television adaptation is arguably the best version of the wonderland fantasy.

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Amelie
(Le Fabuleux Destin d'Amélie Poulain) (2001)

d. Jean-Pierre Jeunet
a. Audrey Tautou

Amelie is a unique cinematic experience. It hits all the right emotional buttons; laced with euphoric moments, blissful joy and cheeky humour. The combination of a brilliant director, a trully outstanding actress and a great film composer surmount to the success of this film. Although having played quality roles in many French productions since 1996, it was Audrey Tautou's mesmerizing performances in "Amelie" (Le Fabuleux Destin d'Amélie Poulain) and then "A Very Long Engagement" (Un long Dimanche de Fiançailles) that has since made her the darling of world cinema. Director Jean-Pierre Jeunet is a perfectionist in every detail - costumes and sets (even on location) are painstakingly manicured and enhanced to emit the exact hues of colour and light needed to create the required mood or visual dynamic. Yan Tierson composed the memorable music which means that no DVD and CD collection would be complete without Amelie the movie and Amelie the soundtrack.

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An Affair to Remember (1957)

d.Leo McCarey
a. Cary Grant, Deborah Kerr

The mother of all pink champagne movies. Weepy.


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Apple (The)
(Sib) (1998)

d. Samira Makhmalbaf

Poignantly directed with warmth by the then 17 year old Samira Makhmalbaf, this is a very extraordinary film from the stables of new wave Iranian cinema. It's a beautifuly captured true story about twin girls who have been kept inside their home for 12 years, until a social worker persuades their family to allow the children to explore the world outside. Remarkable acting, particularly from the younger cast. This, along with many other recent films from Iran is a wonderful example of earthy, untainted, culturally inspired cinema - a million miles from plasticized views of the world through a Hollywood camera lens. Since making this, her first release, Samira Makhmalbaf has gone on to win prizes at Cannes for her subsequent movies and has been hailed as one of the most significant new directors in both Iranaian and International Cinema.

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aThe Accidental Tourist (1988)

d. Lawrence Kasdan
a. William Hurt, Kathleen Turner, Geena Davies

Trapped between his own uncomfortable routine, a chaotic relationship or a sideways exit into a new life, Hurt must tread his path carefully - a particularly poignant challenge because of a broken leg. This, with a constant recall of the memory of his son murdered a year before, an estranged wife and a new oddball attraction in the form of Geena Davies. A beautifully paced and endearing film.

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aThe Age of Innocence (1993)

d. Martin Scorsese
a. Winona Ryder, Michelle Pfeiffer, Daniel Day-Lewis

Another "lost" recent classic?... just see for yourself!

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aThe American Friend (1977)

d. Wim Wenders
a. Bruno Ganz, Dennis Hopper, Lisa Kreuzer

Wender's film noir approach is well balanced with an uncomfortably sympathetic consideration for the main character and his family... As morality is stretched to non-retrievable limits the plot becomes secondary to the films overall ambience. Highly commendable as a 1970's Wenders classic.

Other Wim Wenders films listed: Alice in The Cities, Wings of Desire

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aThe Apartment (1960)

d. Billy Wilder
a. Jack Lemon, Shirley MacLaine

As the title suggests, all the action takes place in Lemon's humble abode as he unwittingly lends it out for his slimy boss' sexual pleasures. Another watch over-and-over classic.

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Bagpuss w.p.Oliver Postgate Like the patterns on the wallpaper in your childhood bedroom, the memory of Bagpuss stays forever. If you have children Bagpuss for them. If you don't buy it just to say hello again to Professor Yaffle, Madelaine the rag doll, Gabriel the toad, the Mouse Organ Mice and of course Bagpuss.... just a saggy old cloth cat... but Emily loved him.

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Before Sunrise (1995)

d. Richard Linklater
a. Julie Delpy, Ethan Hawke
w.
Richard Linklater, Kim Krizan

Thanks to outstanding acting and an intelligent script the dialog between Delphy and Hawke bounces along so naturally that you feel you are a fly on the wall closely observing a real life situation. The film draws out a scenario which could happen to any ordinary person faced with such an ambivalent situation. From station to station it is one of the most watchable rainy night movies of the 1990's. Just see it (and its 2004 sequel).

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Being There (1979)

d. Hal Ashby
a. Peter Sellers, Shirley MacLaine

Ironically, Sellers last film before he died. So simple yet so brilliant.

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Betty Blue (37°2 le matin) (1986)

d. Jean-Jacques Beineix
a. Beatrice Dalle, Jean-Hugues Anglade

Outstanding cinematography plays a key role in the opening stages of this film. Wonderful light, colour and impression. It can only be a French movie which carries great visuals in hand with deeper substance... sorrow, confusion and fear... all blending with bright touches of humour and surrealistic undertones.

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Bicycle Thief (1948)

d. Vittorio De Sica
a. Lamberto Maggiorani, Lianella Carell, Enzo Staiola

A milestone of Italian neo-realism... played by amateur and non actors. Albeit a feeling of incompleteness in terms of a rounded ending, the memory of its natural qualities linger... Artistically superb drama by Vittorio De Sica.

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Blow Out (La Grande Bouffe) (1973)

d. Marco Ferreri
a. Marcello Mastroianni, Michel Piccoli

One of those films which, if seen when released lingers tastelessly in your memory... and probably would if seen now for the first time. Four middle-aged men decide to eat themselves to death. The house - where the explicit action takes place - the food, the cold room, and a Bugati are all essential props in this oddball French tale.

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Blow Up (1966)

d. Michelangelo Antonioni

a. David Hemmings, Jane Birkin, Vanessa Redgrave

For someone starting a cultural collection of British swinging 60's Arthouse movies this classic combined with other titles such as The Prisoner, Up the Junction and If, would be a good start.... The memorable atmosphere of the eerie wind blown park scenes linger forever.

 

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Boyz N The Hood (1991)

d. John Singleton
a. Morris Chestnut, Na'Blonka Durden, Ice Cube

A story of two friends. Through close and considerate character development Boyz N The Hood intelligently bleeds bitter sentiment and understanding of hardened cultural anxieties within the 1990's gangland killing fields of the US.

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Broken Blossoms (1919)

d. D.W Griffith
a. Lillian Gish, Louis Gottschalk, Richard Barthelmess

The graphically harsh life of East London's Limehouse is depicted in this dark crafted D.W. Griffith silent classic. Carl Davies reworked the beautiful music score in 1988. A landmark of such poetical, contemporary movies during the Great War era.... and of Lillian Gish's career. Heart rendering stuff.

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bThe Breakfast Club (1985)

d. John Hughes
a. Emilio Estevez, Molly Ringwald, Judd Nelson

John Hughes' teen genre films of the 1980's are shamelessly underrated. They in fact turn out to be obvious templates for most "schools in - schools out" productions ever since, right up even to Buffy The Vampire Slayer. The Breakfast Club was the milestone which brought the anxieties and self searching of 80's American youth to mainstream audiences. A must.

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Buffy The Vampire Slayer (TV series)

a. Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Anthony Head

From a rather disappointing and average pilot a few years back, Buffy improved in huge leaps and bounds (and bites). A well chosen cast delivered a brilliant script laced with classic one liners ... blink and you'll miss them.

All dialogue and editing is immaculately paced, synchronous with pin sharp wit and outrageous deadpan irony. The bouncy, fluffy lingo deserves entry into dictionaries everywhere to brighten up all languages around the world.

Humour and brilliantly understated horror cross seamlessly with intelligent character study. Powerful emotional turmoil, teen angst and cool-cute persona flourishes throughout its cast, supported by a fine music score, great featured bands, kicking special FX's and quality production design - including some very creepy moments. (Watch out for "The Gentlemen" (Hush) episode...ooohhh)

The natural, cool, quirky drama makes Buffy a show of unique, class quality... with a few stakes, potions and demons thrown in for good measure.

The purchase links here point to:

Buffy UK and USA at Cult Digital

Buffy UK and USA

 
cA Canterbury Tale (1944)

d. Michael Powell, Emeric Pressburger
a.Eric Portman,Sheila Sim

A real period piece portraying a modern day (1944) pilgrimage to Canterbury in Southern England during WW2. Close-to-life examination of the characters, blended with vivid location shots amount to Powell and Pressburger's finest documented portrayal of British wartime spirit.

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cA Clockwork Orange (1971)

d. Stanley Kubrick
a. Malcolm McDowell, Patrick Magee

Banned from re-release in the UK until Kubricks death, this is arguably the movie which he will be mostly remembered for... as will writer Anthony Burgess. Shocking, disturbing, eerie, provoking... but that was 1971. Even so, the films age doesn't dilute the effect 36 years on.

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Chance or Coincidence (1998)

d. Claude Lelouche
a. Alessandra Martines, Pierre Arditi

A Clever and most unusually paced French drama which, although edges towards Arthouse contrivance, makes up for it through a strong and sensitive portrayal of a woman dealing with a death crisis. Accompanied by some stunning location photography. A slightly uncomfortable switch of feely-mood on occasions, but none the less most memorable .

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Cinema Paradiso (1990) d. Giuseppe Tornatore If you haven't yet seen this Italian mega masterpiece... why not! Needs no description... and as with many of the films listed, this is the kind you can keep on the shelf forever and never get tired of seeing it over and over.

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City Lights (1931) d.a. Charlie Chaplin When re-released in 1950, Time Magazine described it as the greatest film ever made.

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Contact (1997)

d. Robert Zemeckis
a. Jodie Foster

From a story by Carl Sagan and therefore based on a profusion of scientific possibilities, this is an outstanding movie, which throws more equations and questions into the extra terrestrial melting pot than Fox Mulder could tackle in a lifetime. The most searching feature of its kind since "2001". Apologies for the following review cliché but... "this is an absolute must see".

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cThe Cement Garden (1993)

d. Andrew Birkin
a. Charlotte Gainsbourg, Andrew Robertson

Disturbing, darkly atmospheric film. Unpleasant, troublesome subject but performed with eerie simplicity by Charlotte Gainsburg and cast. Again one of those offbeat rarities where the actors react to each other and not to the camera....

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d$ (The Heist) (1972) d. Richard Brooks a.Warren Beatty, Goldie Hawn The best thing about this movie is the Quincy Jones soundtrack... retro heaven!

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Dead Like Me (2003-4)

a. Ellen Muth, Laura Harris, Rebecca Gayheart, Callum Blue, Mandy Patinkin, Cynthia Stevenson, Jasmine Guy, Britt McKillip, Callum Blue

Finally, a TV series that was set to cheer up the millions who had still been suffering cold-turkey since the end of "Buffy The Vampire Slayer". "Dead Like Me" oozes subtle deadpan humour, great character profiles and a consistently strong script. With flavours of "Buffy", "Six Feet Under", "Donnie Darko" and even elements of modern British comedy thrown in for good measure, this truly unusual series has it all. The lead character 'George' is played by the gifted Ellen Muth, who as well as projecting a rather extraordinarily offbeat acting talent is also a member of Mensa. In fact, Muth's father has an entire museum named after him. Supported by a music score courtesy of Stewart Copeland, "Dead Like Me" is destined to become a high-pedigree cult classic...

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Death in Venice (1971)

d. Luchino Visconti
a. Dirk Bogarde

One of Bogarde's finest performances. The subject matter was covered with so much style that it was considered both controversial and aesthetically appealing in its time. Beautifully shot in Venice, and most notably remembered for its use of Mahler's music, the Adagietto from the 5th Symphony.

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Demon Seed (1977)

d. Donald Cammell
a. Julie Christie b.Fritz Weaver
w. Dean R. Koontz

A quality sci-fi / horror which was way ahead of its time. The frightening concept of computer domination as it eats its way into the organics of humanity itself...and, 25 years on not far from scientific possibility since the advent of nanotechnology and A.I. !! ooer

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Desperately Seeking Susan (1985)

d. Susan Seidelman
a. Rosanna Arquette, Madonna
w.Leora Barish

On the surface this is a quirky, fun, cute, easy going gem. But there is an undertow of melancholy that makes it somehow unforgettable. Rosanna Arquette's (wonderfully understated) enigmatic presence may have something to do with it. But so maybe does the general ambience...which becomes increasingly reflective as years go by. This may seem overstated but is this movie, as yet, an un-hailed 1980's period piece?

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Doctor Zhivago (1965)

d. David Lean
a. Omar Sharif, Julie Christie

A movie classic which never fails to keep one attached to their seat whenever it's shown... therefore thoroughly recommended as a DVD purchase to keep forever... Beautifully filmed.

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Doctor Strangelove (1963)

d. Stanley Kubrick
a. Peter Sellers, George C. Scott
w.Peter George

Starring Peter Sellers in three completely contrasting rolls. This father of all black comedies parodies the nuclear arms race to insane, epic proportions. As usual Kubrick's directorial technique is far ahead of it's time. Hilariously dark masterpiece.

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Donnie Darko (2001)

d. Richard Kelly
a. Jake Gyllenhaal

A gem of profound twists, illusion and thought provocation. Beautifully directed. Choose the original cinematic release DVD rather than the "Directors Cut" version. A surreal cult classic.

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Don't Look Now (1973)

d. Nicholas Roeg
a. Julie Christie, Donald Sutherland

Although a predictable list topper for arties and trendies alike, this is still an incredibly powerful mind meld of a movie. There is little of it's 105 eerie minutes one can really ever forget, including, of course the shlocking ending. Still a source of "creative" inspiration (and parodied) in media circles nearly 30 years on.

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Dream Life of Angels (1998)

d. Erick Zonca
a. Elodie Bouchez, Natascha Regnier

Bleak Cannes award winner about two young vulnerable girls, both misfits, searching for wonderlands within the margins of a dead end existence. Depressing circumstances therefore transpire. Haunting end title music... (who was it by, anyone? l-g ed)

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dThe Dissapearance (1977)

d. Stuart Cooper
a. Donald Sutherland, David Hemmings, John Hurt

A tense Canadian thriller which, unjustly seems to have been long forgotten. A clever and well paced plot which would sit nicely on the shelf next to The American Friend

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e84 Charing Cross Road (1986)

d. David Hugh Jones
a. Anne Bancroft, Anthony Hopkins, Judi Dench

Marks and Co., 84 Charing Cross Road, London is a bookshop and the focus of this pleasant, enchanting little film about a growing relationship between a New Yorker and Frank Doel the bookseller. However, I don't know from which pleasant, enchanting little dimension this films Charing Cross Road is in, cos it sure ain't the Charing Cross Road I was in yesterday... unfortunately!

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Eraserhead (1977)

d. David Lynch
a. Jack Nance

The original arthouse classic which has since inspired many a Lynchesque movie maker. This tops them all... every surreal, dark, disturbing element you can imagine against the ambience of industrial drone... but also emotionally absorbing...as was Lynche's Elephant Man. Again, I am sure Lynch was also inspired by Vigo Essential viewing... even in reverse...

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Eternal Sunshine Of The Spotless Mind (2004)

d. Michel Gondry
a. Jim Carrey, Kate Winslet

Michel Gondry's second directorial gem from 2004 (and a break from making his outstanding pop promos). This is a truly unusual movie romance, penned by Charlie Kaufman ("Being John Malkovich") which might leave you in a similar philosophical quandary as "Lost in Translation". However, "Eternal Sunshine Of The Spotless Mind" also works in a similar way that "Sliding Doors" played out a unique, fantastical experience, without over-emphasing on the science fantasy - and so retaining a warm attachment to the characters and therefore the emotional turmoil that ensues..

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eThe Elephant Man (1980)

d. David Lynch
a. John Hurt, Anthony Hopkins

David Lynches first major release, built on the success of his earlier arthouse classic Eraserhead. The style is unmistakable, the story is both captivating but extremely upsetting even to the point of leaving the film only half watched... you have to be in the mood to take on the heavy emotional burden of this brilliant, true story.

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Fail Safe (1964)

d. Sydney Lumet
a. Henry Fonda, Dan O'Herlihy

w.Walter Bernstein

An utterly disturbing cold war theme inspired by worldwide fear of nuclear threats during that period. Even in today's climate, the films scenario, based on human / mechanical misjudgment could easily be considered a potential reality. Edge of your seat viewing enhanced by some eerily polarized shots... and add to this the "sound" of an unforgettable ending.

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Fantasia 2000 Walt Disney The original release of Fantasia in 1940 was intended to be the first of an ongoing work in progress.. with each successive release including new works... Well its been a 60 year gap for this next installment to appear, but in doing so it presents itself not only in 35mm but most effectively as the first IMAX animated feature. The gigantic IMAX hi-tech cinema experience is the place to really absorb this enchanting experimentation of brand new and reworked older pieces.

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Father Goose (1964)

d. Ralph Nelson
a. Cary Grant, Leslie Caron, Trevor Howard

A delightful and repeatedly enjoyable matinee romp with Walter Eckland, (played by Grant), Caron and her sprinkling of charges... seven schoolgirls... all of them stranded on a pacific island during WWII.

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Ferris Buellers Day Off (1986)

d. John Hughes
a. Mathew Broderick, Mia Sara, Alan Ruck

Determined to have a day off from school and despite of what the principal thinks, Ferris and co. make the madcap most of it. There's a "cultural awakening" scene in this movie as the three truants visit an art gallery, accompanied by some affecting music... all which sums up a sharp directorial balance between emotion and humour; something which John Hughes accomplished so well in his films of the 80's and 90's

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Friends

(the complete TV Series) (1994-2004)

a. Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry, David Schwimmer,

One of the slickest, finely tuned American comedies in recent years. From the sublime to the ridiculous, a magnetic TV choice for anyone who doesn't take life too seriously. And you can simply watch them over and over. Great blues lifters.

Here we list only the new DVD versions. Every series is now available in this format in complete volumes

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Funny Games (1997)

d. Michael Haneke
a. Susanne Lothar

This film has to be mentioned because it, unfortunately, exists....It invokes an emotionally uncomfortable viewpoint and invites a simple question, why was this movie ever made?

Abusing (or questioning) the creative arts to the extent this film does, opens discussion for the delectation of movie and "life" critics alike. Read or listen to those philosophically contrived views if you wish, but here we point out the simple cause and effect of Michael Haneke's cruel and overly clever joke. Funny games is painfully real... OK, it may succeed in putting Tarantino's pumping blood designer movies into shameful perspective. But Funny Games travels precariously along a shocking, sticky path of controversy... being either too philosophically clever for it's own good or downright dangerously sick minded.

Funny Games is not at all entertaining.... it does however have magnetic qualities and so plays on viewers compelling needs to watch and watch until some right is made from all the horrific wrongs....you may hope.

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Goodbye Mr Chips (1939) b/w

d. Sam Wood
a. Robert Donat, Greer Garson
w. James Hilton

Impossible for anyone to hold a tear back by the end of this Oscar winning masterpiece. Shown through flashbacks, this is the life of a shy classics master at an English public school. Apart from the odd exceptions (like Untamed Heart and Before Sunrise) this is a prime example of a lost art in sentimental but intelligent film making.

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gThe Golem (1914)

d.w. Henrik Galeen
a. Paul Wegener,Rudolf Blmner, Lyda Salmonova

Even though this silent was made by Gothic visionary Henrik Galeen in 1914 it is not available on video or DVD, So instead make all efforts to catch the theater screening scored live by Captain Beefheart guitarist Gary Lucas. An innovative, ethereal wall of sonic musicality and haunting swirls using arrays of guitars, pedals and amps.... Modern sound technology over an ancient movie artifact may seem an odd marriage... but experience it and you'll see it works wonderfully. Timelessly organic... it blends perfectly with Galeens visuals and all in seamless, real time performance by the master of digital delays, Lucas. To read more about this visit the Gary Lucas site, linked to Looking-glass. One other observation regarding the Golem... check out the incredible asymmetrical building architecture... surreal... wonderful...

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gThe Graduate (1968)

d. Mike Nichols
a. Dustin Hoffman, Anne Bancroft, Katharine Ross
p. Lawrence Turman

Mike Nichols' coolest of period pieces which became a template for modern teen genre movies (and ads). The inclusion of the Simon and Garfunkel soundtrack was an added masterstroke. Here's to you Mrs Robinson.

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gThe Great Race (1965)

d. Blake Edwards
a. Jack Lemmon, Tony Curtis, Natalie Wood, Peter Falk

Wacky Races on speed and obviously the movie that inspired the cartoons. Completely potty from start to finishing post. They don't make 'em like this anymore, etc. etc.

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Head (1968)

d. Bob Rafelson
a. The Monkees
p. Jack Nicholson

The Monkees parody their own manufactured image in this popadelic rarity. The soundtrack album is a lost classic (which became trendy again in the early 90's). It highlights a hidden emotion and melancholy which obviously bubbled under the foursomes comic shells. The film and particularly it's music confirms that deeper artistic talents were present in some guise or another (particularly Mike Nesmith).

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How To Steal A Million (1966)

d. William Wyler
a. Audrey Hepburn, Peter O'Toole
w. Harry Kurnitz

Starring the jet set princess of Pink Champagne comedy. Some nice lines and subtle comic character studies. Set in a Paris we all like to imagine still exists. (Particularly when viewed from behind the wheel of a primrose coloured E-type convertible).

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If....

d. Lyndsay Anderson

a. Malcolm McDowell, Arthur Lowe

The prequel to Oh Lucky Man. An authentic public school setting is the backdrop to fantasy, farce and a bizarre, violent climax. Directly inspired by Jean Vigo's 1923 fantasy Zero De Conduit

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I'm All Right Jack (1959)

d. John Boulting
a. Peter Sellers, Terry-Thomas, Richard Attenborough

The star cast for this great British comedy by the brothers John and Roy Boulting goes on and on. Along with other Petter Sellers Classics of that time, such as Heaven's Above, The Smallest Show on Earth etc. such films as part of a DVD library will be enjoyed forever.

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iThe Icicle Thief (1989)

d. Maurizio Nichelli
a. Maurizio Nichelli,Calerina Sylos Labini

A clever parody of Bicycle Thief with an added dimension! A surreal concept which slowly reveals itself throughout the film. (Check out the "bambino" who crawls in and out of most precarious situations!) ... bizarre.

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Kes (1969)

d. Ken Loach
a. David Bradley, Brian Glover

An account of a boy's life amongst Northern England's working classes of the 60's. Accurately portrayed, the film evokes an emotion of stark grey reality... but given uncertain sentiment by the presence of a Kestrel... the boy's only contact towards outward compassion and a brief glimpse into a wonderland he would never otherwise reach. Brilliant.

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Koyaanisqatsi (1983)

d. Godfrey Reggio

Although well over two decades have past since the visionary Reggio shot this trippy masterpiece on almost no budget, it could easily have been filmed today - or in another 20 years... only the clothes show it's age. The film triggers, then perpetuates emotions and melancholy like a windmill, primarily down to ingenious use of nothing more than a camera - using time-lapse - and intuitive, masterful, gadget free post production. Frame perfect editing, fluid pacing and the music of Philip Glass completes this undoubted masterpiece of cinematic history. Many film makers have been inspired - and have tried to emulate the essence of Reggio's artistry... as yet Kyaanisqatsi is unsurpasable.

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kThe Kitchen (Wo ai chu fang) 1997

d. Ho Yim
a. Yasuko Tomita, Jordan Chan

Well worth discovering this charming, melancholic gem from Hong Kong directed by Ho Yim.